Trevor wishart - fanfare and contrapunctus - imago


Sound editing and sound mixing are two separate categories in the Oscar race, but many laypeople would quickly admit that they don't exactly know the difference. "I understand how some people would be confused by the two as the lines can be very hard to distinguish," admits Julian Slater, who served as supervising sound editor, designer and rerecording mixer on Baby Driver. Sound pros often reach for metaphors, such as cooking, to explain the difference: Sound editing could be likened to preparing the ingredients, and mixing is when everything comes together to prepare the dish. Pros from three films reveal their recipes for awards-contending sound.


Trevor Wishart - Fanfare And Contrapunctus - ImagoTrevor Wishart - Fanfare And Contrapunctus - ImagoTrevor Wishart - Fanfare And Contrapunctus - Imago

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